2009
Dir. Jason Reitman
St. George Clooney and Vera Farmiga
Now I don’t see a lot of first runs, but the review section in the ‘New Yorker’ magazine are so good that I feel I can rely on them to steer me away from inflicting too much pain on myself. Like I did when I said that ‘Krull’ was going to be an enjoyable film to watch (It was a Robert E. Howard story, for those who know who that is).
Up in the Air is very good. Clooney is perfect for the role, as it is low-key and direct. Vera Farmiga reminds me of a friend of mine. She is beautiful, 40ish, sharp as a whip and gets things done. She and Clooney are admirable. It is a film of three central characters who are high-performers. One assumes that the director or writer are high-performer types themselves, to know the type so well in the portrayals. It’s also an absurdly timely film – Clooney’s character travels around the country (USA) downsizing people on behalf of the firms they work for. However it would be am equally good movie at any time, regardless of this ‘temporal opportunism’.
It’s beautifully shot. There are a couple very good simple camera scenes, and with the number of airports and planes, there is ample opportunity. The soundtrack is sparse and very well done. The dialogue is far above normal, in terms of quality and pace. It really is clever, but does not suffer from the disease of people producing enormously clever statements that do not suit their character or age. It’s really well done. The people being fired give the film an added dynamic – the coolness of our engaging protagonists is offset very well by the sad warmth of the moments we see of people losing their jobs. A great script, well shot, and superbly cast.

The Informant!
2009
Dir. Steven Soderbergh
Starring Matt Damon
Who could not like this film? Especially since it is based on truth?
The quirky display put on my Damon is entirely believable, and so the production of a ‘psychological model’ is carried off very well. The main character is telling the FBI about international price-fixing at his company, but he has nothing to gain from it, so it would seem, except satisfaction for his compulsion to talk and to produce the image of a yet more elaborate truth. And each moment, when you think you have been over-filled with truth – he brings you something new, until you cannot tell where the truth ends and the lies begin.
And so there we have it – a film with so much truth, and so many lies, that it outdoes everything else produced this year in sheer quantity of entertainment. And – it’s based on a true story.
Interviews with the real culprit can be found on this American Life:
http://www.thisamericanlife.org/Radio_Episode.aspx?sched=1317
Viewed at a first run theatre, the Varsity, with LN and company. We all enjoyed. 2009_09.